| |
Course
Calendar
MODULE 3a: Out of Kit F/X w/ Advanced Gelatin
144 clock hours
MODULE 3b: Prosthetics w/ Foam & Silicone
192 clock hours
Out of Kit F/X w/ Advanced Gelatin
Differentiating between Prosthetics and Special Effects would be a
good idea when choosing a secondary course to Makeup Art with Airbrush. Prosthetics is a process of life
casting, sculpting, and mould making to develop an appliance from these procedures for facial or body application.
Props are also manufactured by this venue. Out of Kit Special Effects is a broad-spectrum series of makeup
applications, which may be executed literally in minutes or hours, depending on the nature of the effect.
A simple bruise (in any stage) or an advanced aging may be the agenda of the script that day. A wax nose tip
elf or a decaying zombie may be their counterpart. Regardless of the effect, the FX artist must also know the
"why" behind the creation. Why do the effects look the way they do? How does a drug addict in their late
twenties prematurely age? What does a cadaver look like in stage two decomposition in a humid environment?
The artist must research and be medically correct before adding, if at all, the Hollywood drama of slight
exaggeration.
This course is an industry classic. Although character makeup's and casualty effects are timeless,
the products and technologies are ever changing, which keeps the most seasoned artists engaged and continually
learning. Script analysis, budgeting, understanding production procedures, and meeting time lines are also part
of the holistic training that the school is insistent in delivering because teaching out of context
compartmentalizes education.
With this advanced training, students are able to take on more complex scripts in television and film. These skills may also be applied in the field of theatre.
Course highlights: |
|
|
| |
Film set etiquette/continuity/script analysis
Film breakdown makeup
Dehydration
Pre-mature aging
Malnutrition
Bruises: (various stages)
Scrapes and abrasions
Cuts and gashes
Black eyes
Bald caps:
-Model's hair preparation
-Rubber, plastic and vinyl caps
-Construction of caps
-Application, and coloration
First and second-degree burns with blistering:
-Sunburns & hot water and friction burns
Hair works:
-Prepping and straightening crepe wool
-Mixing colour/custom colour
-Laid-on crepe wool
-Styling and setting
Ventilated pieces:
-Understanding their construction
-Application, cleaning & storing
|
|
Wax build-ups
-Bullet holes
-Tears and scars
-Stitches
-Broken noses
Aging for stage and camera mediums with:
-Traditional cream makeup
-Latex stipple - subtle sectioning
-Tattoo ink palettes combined with latex
Gelatin Appliances:
-Wound trays
-Eye bags
-Slit throats
-Application and coloration
Third-degree burns:
-Flash, chemical, and open flame burns
Frost effects: snow & ice
Frostbite: level one, two and three
Monsters / Zombie Fest
Photo shoot workshop for portfolio development
|
|
| |
Prosthetics w/ Foam & Silicone
Prosthetics in one form or another has fascinated audiences from the early silent pictures to modern day blockbusters. Generations of makeup artists
have created visual wonder and timeless images which have entered our pop culture and stirred our imaginations leaving some of us the with the indelible
mark of thrill, horror and inspiration.
In the early days, picture making was certainly a struggle with the primitive products of the time. The classic Frankenstein movie is a typical example
of waxes and collodion, used for special effects that looked good for the era, but were limiting and fussy for the longevity of the shoot. With the
evolution of the industry, we now have various materials in which we can express prosthetics in new and incredibly bold ways.
Prosthetics artists wear many hats; designer, sculptor, mold maker, lab technician, painter and on set makeup artist. These titles utilize many
disciplines in order to manifest certain effect and deliver the end product. Holistic training gives the artists not only the technical side of the
trade, but the sensitivity and savvy to understand relationships within the crew infrastructure, and to deal professionally and confidently with
producers and directors. This course takes the student to the bare bones of art fundamentals while incorporating the latest materials and
technologies. The excitement is in the process. Starting with a brick of clay and finishing with a masterpiece is a truly amazing and rewarding
experience.
As long as there are filmmakers there will always be prosthetic makeup artists. As the field of makeup artistry is continually evolving, if the
writers can imagine it, we can create it.
Course highlights: |
|
|
| |
Life Casting
- Molding with alginate for face and teeth positives
- Using plaster bandage to create mother molds
- Creating life castings from negative molds
Negative Mold
- Utilizing Ultracal 30 gypsum cement to create accurate and durable molds
- Using silicone rubber to create negative flexible molds
Creating the Positive
- Positives molds (sculptures, appliances, and lifecasts) are created in class using industry standard materials
- A complete "lay-up" process is demonstrated obtaining professional results Sketching/Maquette/Design
- All large class projects are designed from sketch to final project
- The design analysis method is employed to create a logical series of steps to ensure quality and meeting our deadline
Sculpting Fundamentals
- Discussions and demonstrations of tools and sculpting techniques that industry professionals employ
- Use of various clays to render sculptures is employed in class by all students
Types of Tools
- Use of surface forming tools for mould clean-up
- Range of basic sculpting tools and their uses
- Use of hardware tools
Texture Stamping
- Utilizing latex and silicone rubber to create skin-like textures from "real-life" objects,
resulting in realistic skin textures for appliance sculpting
Principles of Mold-making, claying out, flanging/keys
- Creating good moulds are key to creating prosthetics
- Technique for creating the overflow, cutting edge and keys, to snap molds together for professional results
- Art of strengthening molds for baking rubber
- How to avoid undercuts and lock-ups
Splash Coat/Reinforcement
- Step by step process for creating perfect molds
- Usage of "splash coat "technique to capture detail and avoid air pockets
- Reinforcing with materials to create strength for baking at high temperatures
Generic Wound Trays
Fast and simple moulds to create gelatin appliances
- Quick techniques for meeting deadlines due to last minute scripts changes
- Two piece mould systems for casualty assimilation (positive and negative)
Bladders
- Creating custom bladders for bleeding effects and pulsations
- Positioning and concealing bladders under prosthetics
|
|
Foam Latex Chemistry
- Instruction on foam latex and how it works
- Combining a four part system to create soft, form fitting appliances for application
Running Foam
- Precise chemistry and scheduling for a perfect foam outcome
- Filling and baking moulds for successful foam runs in our convection oven
Silicone skin
- Basic principles of industry grade materials
- Exploring different types of silicon grades, running skins, intrinsic coloring, extrinsic paint finishes, and general chemistry
Gelatin Appliances
-Creating a custom formula to create realistic flesh-like skins for appliances using a prosthetic grade gelatin
Dental Prosthetics
- Fangs and dentures are created in class by each student
- Using Dental Acrylic and liquid monomer to create realistic prosthetic teeth
- Learn the fast and slow methods in forming quality prosthetic teeth
PAX paint technologies
-Painting appliances with PAX to enhance foam prosthetic with color and realism
-How to formulate your own flexible paint system
Rubber Mask greasepaint
- Custom blending colour techniques
- Coloration on rubber to achieve a "skin like look"
Tattoo colour (alcohol activated makeup)
- Utilized to add colour to gelatin, foam latex and translucent appliances
- Also used to create a "pointillism" type of effect on appliances to add depth and realism
Airbrushing
-Types of air brushes
-Operation and maintenance of your airbrush
-Painting effects with the airbrush
-Types of air brush mediums
|
|
|
|
| |